Isla in the net, 2022
Acrylic, oil, color pencil on canvas
47 x 40 in


Fontana, 2022
Acrylic, oil on canvas
36 x 47 in



Headless, 2022
Acrylic, oil on canvas
47 x 40 in



Mr. Pyrite, 2022
Acrylic, oil on canvas
20 x 25 in




Boolean Sieve, 2021
Acrylic, oil on canvas
47 x 36 in



My empire of dirt, 2021
Acrylic, oil, sand on canvas
55 x 63 in



UV Silence, 2020
Oil on canvas
16 x 13 in



Untitled, 2022
Acrylic on PVC fabric
59 x 30 x 6 in



Glove stream, 2020
Oil on canvas
26 x 17 in







A stammering symmetry
April 2019
Columbia MFA Thesis Exhibition 
Wallach Gallery, Lenfest Center for the Arts, New York















Photos 1, 3, 4, and 6 courtesy Mónica Felix. Photo 5 courtesy Yi Sa-Ra.







By Turns Diffuse and Binding 
January 13—February 23, 2019
Solo exhibition
Fourteen30 Contemporary, Portland, OR






















The width of a heel, part 1
Performance presented as part of the In Response program (School of the Arts, Columbia University)
In Response: Scenes

The Jewish Museum, New York
April 29, 2018


The width of a heel, part 1, 2018
Performance with sound piece



photo Sara Wass         




Mark




Lucy Kim, Rachel LaBine, Isabel Yellin

Lyles & King, New York
November 17, 2017—January 7, 2018
press: The New Yorker



Taut stem, blithe spirit, 2017. Oil on panel, 10 x 8 inches.


Elvira’s egg, 2017. Oil on panel.

A shifting plate, 2017. Oil on panel, 6 x 8 inches.

Shall, ought, shim, 2017. Oil on panel, 6 x 4 inches.


Fickle clock, 2017. Oil on panel, 10 x 8 inches.








Mark