Isla in the net, 2022Acrylic, oil, color pencil on canvas
47 x 40 in
Fontana, 2022Acrylic, oil on canvas
36 x 47 in
Headless, 2022Acrylic, oil on canvas
47 x 40 in
Mr. Pyrite, 2022Acrylic, oil on canvas
20 x 25 in
Boolean Sieve, 2021
Acrylic, oil on canvas
47 x 36 in
My empire of dirt, 2021Acrylic, oil, sand on canvas
55 x 63 in
UV Silence, 2020Oil on canvas
16 x 13 in
Untitled, 2022Acrylic on PVC fabric
59 x 30 x 6 in
Glove stream, 2020Oil on canvas
26 x 17 in
A stammering symmetry
April 2019
Columbia MFA Thesis Exhibition
Wallach Gallery, Lenfest Center for the Arts, New York
Photos 1, 3, 4, and 6 courtesy Mónica Felix. Photo 5 courtesy Yi Sa-Ra.
By Turns Diffuse and Binding
January 13—February 23, 2019
Solo exhibition
Fourteen30 Contemporary, Portland, OR
The width of a heel, part 1
Performance presented as part of the In Response program (School of the Arts, Columbia University)
In Response: Scenes
The Jewish Museum, New York
April 29, 2018
The width of a heel, part 1, 2018
Performance with sound piece
photo Sara Wass
Lucy Kim, Rachel LaBine, Isabel Yellin
Lyles & King, New YorkNovember 17, 2017—January 7, 2018
press: The New Yorker
Taut stem, blithe spirit, 2017. Oil on panel, 10 x 8 inches.
Elvira’s egg, 2017. Oil on panel.
A shifting plate, 2017. Oil on panel, 6 x 8 inches.
Shall, ought, shim, 2017. Oil on panel, 6 x 4 inches.
Fickle clock, 2017. Oil on panel, 10 x 8 inches.
