DRAWING 
as a survival skill in the panopticon :)




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An experimental online drawing workshop
for any level of experience.

Learn fundamentals of drawing from observation
AND / OR
loosen, remix, and expand your previous drawing skills.

We’ll practice a number of traditional exercises along with some trance-y, more woo-leaning adaptations of those classics. 

The course is designed so that you could do it with just any old pencil and unlined paper. A list of suggested materials will also be provided with the syllabus. 

Class recordings will be shared immediately & will be yours to keep. 




 
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Option 1 — 111 USD — 4-week course with recordings 
Option 2 — 222 USD — 4-week course with recordings, and a one-on-one session with me. This could be a session for specific feedback on your work from the course, or for help with a technical skill, or maybe you want to talk through starting an art practice, or maybe you already have an art practice and want to discuss how to incorporate drawing, etc. Open-ended, one hour.  



email me to sign up 
rachel.labine (at) gmail



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My bio 


Rachel LaBine is a visual artist and educator living in New York and Mexico City. She was born on a new moon in January of 1987 in Grand Forks, North Dakota. When she was 10 years old, the river next to her mother’s house flooded the entire town. That event taught her a lot about painting. She completed a MFA at Columbia University in 2019, and a BFA at RISD in 2010. She received the Rema Hort Mann Emerging Artist Award in 2019.

Since 2023, Rachel has taught drawing courses at Columbia University as an Adjunct Assistant Professor. She presented a solo exhibition and print edition with Penalty (San Francisco) in spring of 2026. Her previous solo shows have taken place at Et al (San Francisco), Gallery 12.26 (Dallas), Bibeau Krueger (NYC), Fourteen30 Contemporary (Portland, OR), and a solo presentation at Material Fair (Mexico City) with Bibeau Krueger. Her work has been included in numerous group exhibitions including at Passerelle Centre d’art contemporain (Brest, FR), Naranjo 141 (Mexico City), False Flag (NYC), Night Gallery (Los Angeles), and a three-person show at Lyles & King (NYC). Her work has been reviewed in The New Yorker, and mentioned in Artforum and Artnet.